Taylor Swift - State of Grace

Official Cover Art

State of Grace is a song by American singer-songwriter Taylor Swift from her fourth studio album Red (2012). It was released to the iTunes Store on October 16, 2012, in the United States by Big Machine Records as the fourth and final promotional single from the album. It was the only promotional single from the album that was not re-issued as an official single, as "Begin Again", "Red", and "I Knew You Were Trouble", were all later re-issued as official singles. The song was written by Swift and produced by Nathan Chapman and Swift. Musically, the song is a departure from Swift's typical country pop, using influences of alternative rock while being compared to bands such as U2, Muse and The Cranberries. The song has received acclaim from music critics, who have praised its broader sound in comparison with Swift's previous material.

Critical reception

The song was lauded by critics upon its release. Entertainment Weekly noted the song's "Brit-rock" sound and U2 influence, writing, "ethereal guitars and moody overtones ring out over a driving midtempo drum beat as she delivers a lyric you could imagine Bono singing: “This is a state of grace/This is a worthwhile fight/ Love is a ruthless game unless you play it good and right.”" Jenna Hally Rubenstein, writing for MTV's Buzzworthy Blog, was very positive about the song, feeling that "both melodically and lyrically, Taylor delves deep as she sings about true love's free fall." Placing it somewhere between "We Are Never Ever Getting Back Together" and "Red" in terms of genre, she also noted that "[State of Grace]'s sparkling production and powerhouse vocals definitely has the record in the realm of pop, but Taylor's country twang isn't too far behind either." Spin reporter Marc Hogan identified the State of Grace as "the one Rolling Stone previously described as a "howling, U2-style epic with reverb-drenched guitars," and went on to praise Swift's take on the sound: "but what had gone unmentioned is how brutally effective it is. More "whoa-oh"-ing than literally "howling," but streaked with unexpected feedback, Swift recognizes that Joshua Tree-era U2 is as traditional now as a country, anyway, and adapts its melodramatic uplift to her own first-person romantic observations." The Los Angeles Times thought the track was Swift's most arresting and promising song yet. "It's the least obviously "re-inventing" single from the album so far," August Brown of the Times commented, "[but] this song might be the most effective." The article offered this elaboration on that assessment: "[The song] has a strong U2 streak to it, with feedback- and echo-drenched guitars and some of her most for-the-rafters vocals yet. Despite Red being tipped as a "breakup album," this one is all love-struck optimism, a setting she's worked well in before." Adam Graham of The Detroit News raved about the song's "epic" production and mature feel. "“The State of Grace” — the opening track on Red — feels like something of a game-changer for Swift," he says, "a big-time, grown-up rock anthem that feels like it’s wrapping its arms around the top row of the cheap seats. [...] The song’s best bit comes in the second verse when the bass drops out entirely, a moment of solemnity as Swift sings, “we are alone, just you and me/ up in your room and our slates are clean.” She’s creating moments of intimacy within the booming sonics of the song, and showing a flair for dynamics we didn’t know she had in her."

Community content is available under CC-BY-SA unless otherwise noted.